FRANKINCENSE & MYRRH CERAMIC CANDLE
FRANKINCENSE & MYRRH CERAMIC CANDLE
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Frankincense & Myrrh scented candle in fine bone china, featuring the Dandelion design in 22ct gold. Made in England.
Made with natural wax, the fragrance combines frankincense and myrrh with notes of amber, cedarwood, patchouli, vetiver and rock rose.
Part of The Flowers Collection, the fine bone china vessel is made in Stoke-on-Trent, England, and hand decorated with the Dandelion design finished in 22ct gold with a subtly antiqued finish. When the candle is lit, the flame can be seen softly through the translucent china.
Designed to be kept after the candle is finished, the fine bone china vessel can be cleaned and reused as a pen pot or trinket pot with the matching lid. The lid also works on its own as a small trinket dish. Complete the Dandelions set with the matching teaware, or combine it with other designs from The Flowers Collection.
Product details
Product details
Scent: Frankincense & Myrrh
Natural wax scented candle
240 g
Burn time: up to 45 hours
Dimensions: Ø7.5 x H8.2 cm
Made in Stoke-on-Trent, England
Once empty, the fine bone china vessel can be reused or repurposed.
Vessel:
Material: White fine bone china with a sheer glossy finish
Hand decorated with 22ct gold detailing, including a hand-edged rim, with a subtly antiqued finish.
Hand wash only
Not suitable for microwave use
Pair with the matching lid (can also be used as a trinket dish, teaspoon rest or mini treat plate) and other pieces from the collection. Sold separately.
Please note: Other items shown in the photographs are not included and are displayed for inspiration only.
Delivery & Returns
Delivery & Returns
UK Delivery:
Standard (2-4 Working Days) £3.95
International Delivery:
Available, please contact us
Returns: Some product exclusions apply. For resale and hygiene reasons certain types of items cannot be returned, like personal care goods (such as soap bars and beauty products). For full information please see our Return Policy page.
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ABOUT THE FLOWERS COLLECTION
The Flowers Collection draws on the British tradition of understatement, where tact and implication often carried more weight than direct words.
In historic drawing rooms, shaped by rules and etiquette, flowers could express what was not always said aloud. They could show affection, set a mood or carry a personal meaning without the need to explain it.
That idea sits at the heart of the collection. To say more by saying less, and to leave part of the meaning to the person who chooses it.