PEPPER & VETIVER CERAMIC CANDLE
PEPPER & VETIVER CERAMIC CANDLE
Couldn't load pickup availability
Pepper & Vetiver scented candle in fine bone china, featuring the Blossom design in 22ct gold. Made in England.
Made with natural wax, Pepper & Vetiver has a subtle note of lemon, followed by pepper and vetiver, with musk and woods at the base.
Part of The Flowers Collection, the fine bone china vessel is made in Stoke-on-Trent and hand decorated with the Blossom design finished in 22ct gold with a subtly antiqued finish Its translucent walls allow the candlelight to glow softly through the china when lit.
Once the candle has finished, clean and reuse the fine bone china vessel as a decorative pot. Add the matching lid, which can also be used separately as a small trinket dish, to turn it into a trinket pot. Pair it with the matching teaware or other pieces from The Flowers Collection.
Product details
Product details
Scent: Pepper & Vetiver
Natural wax scented candle
240 g
Burn time: up to 45 hours
Dimensions: Ø7.5 x H8.2 cm
Made in Stoke-on-Trent, England
Once empty, the fine bone china vessel can be reused or repurposed.
Vessel:
Material: White fine bone china with a sheer glossy finish
Hand decorated with 22ct gold detailing, including a hand-edged rim, with a subtly antiqued finish.
Hand wash only
Not suitable for microwave use
Pair with the matching lid (can also be used as a trinket dish, teaspoon rest or mini treat plate) and other pieces from the collection. Sold separately.
Please note: Other items shown in the photographs are not included and are displayed for inspiration only.
Delivery & Returns
Delivery & Returns
UK Delivery:
Standard (2-4 Working Days) £3.95
International Delivery:
Available, please contact us
Returns: Some product exclusions apply. For resale and hygiene reasons certain types of items cannot be returned, like personal care goods (such as soap bars and beauty products). For full information please see our Return Policy page.
Share

ABOUT THE FLOWERS COLLECTION
The Flowers Collection draws on the British tradition of understatement, where tact and implication often carried more weight than direct words.
In historic drawing rooms, shaped by rules and etiquette, flowers could express what was not always said aloud. They could show affection, set a mood or carry a personal meaning without the need to explain it.
That idea sits at the heart of the collection. To say more by saying less, and to leave part of the meaning to the person who chooses it.